Marilyn Deegan and Willard McCarty, eds. Collaborative Research in the Digital Humanities, Farnham: Ashgate, 2012.
This is a new collection of essays on a subject that is, really, central to the way Digital Humanities has evolved, and perhaps a necessary adjunct of its methodologies: collaborative work and research. The volume is edited by two stalwarts in the field, Willard McCarty and Marilyn Deegan, and contains essays by a great many familiar names. It prompts two reflections on my part.
- I wish I were better at working collaboratively than I am. (My reluctance stems less from a personal or professional dislike of collaboration than it does from laziness.)
- I wish scholarly books weren’t so hideously expensive.
This looks like a future “must read,” however. I am personally particularly looking forward to reading the pieces by Roueché, by Kathryn Sutherland and Elena Pierazzo, and by the HCI-Book Consultative Group and the INKE Research Team.
Here is the description as given on Ashgate’s page for the new volume:
Collaboration within digital humanities is both a pertinent and a pressing topic as the traditional mode of the humanist, working alone in his or her study, is supplemented by explicitly co-operative, interdependent and collaborative research. This is particularly true where computational methods are employed in large-scale digital humanities projects. This book, which celebrates the contributions of Harold Short to this field, presents fourteen essays by leading authors in the digital humanities. It addresses several issues of collaboration, from the multiple perspectives of institutions, projects and individual researchers.
And here is a breakdown of its contents:
- Marilyn Deegan and Willard McCarty, “Foreword”
- Willard McCarty, “Collaborative research in the digital humanities”
- John Bradley, “No job for techies: technical contributions to research in the digital humanities”
- Hugh Craig and John Burrows, “A collaboration about a collaboration: the authorship of King Henry VI, Part 3”
- Julia Flanders, “Collaboration and dissent: challenges of collaborative standards for digital humanities”
- Susan Hockey, “Digital humanities in the age of the internet: reaching out to other communities”
- Laszlo Hunyadi, “Collaboration in virtual space in digital humanities”
- Jan-Christoph Meister, “Crowd sourcing ‘true meaning’: a collaborative markup approach to textual interpretation”
- Janet L. Nelson, “From building site to building: the prosopography of Anglo-Saxon England (PASE) project”
- Geoffrey Rockwell, “Crowdsourcing the humanities: social research and collaboration”
- Charlotte Roueché, “Why do we mark up texts?”
- Ray Siemens, Teresa Dobson, Stan Ruecker, Richard Cunningham, Alan Galey, Claire Warwick, and Lynne Siemens, with Michael Best, Melanie Chernyk, Wendy Duff, Julia Flanders, David Gants, Bertrand Gervais, Karon MacLean, Steve Ramsay, Geoffrey Rockwell, Susan Schreibman, Colin Swindells, Christian Vandendorpe, Lynn Copeland, John Willinsky, Vika Zafrin, the HCI-Book Consultative Group and the INKE Research Team, “Human-computer interface/interaction and the book: a consultation-derived perspective on foundational e-book research”
- Kathryn Sutherland and Elena Pierazzo, “The author’s hand: from page to screen”
- Melissa Terras, “Being the other: interdisciplinary work in computational science and the humanities”
- John Unsworth and Charlotte Tupman, “Interview with John Unsworth, April 2011”