Aaron Swartz, Scholarship@Western, and Open Access

Explore Titles by DisciplineBelow is the text of an email that I sent out to all faculty and graduate students in the Faculty of Arts and Humanities at Western University on 13 January, 2013.

Greetings all:

On Friday, Aaron Swartz, a brilliant young American programmer and Open Access advocate, committed suicide in Brooklyn. Swartz was, at the time of his death, facing prosecution from the US government for downloading 4 million articles from JSTOR via MIT’s computer network, and faced a $1 million fine and up to 35 years in prison for his “crime”; this despite the fact that he did not “hack” the system and made no attempt to distribute the articles. The “victim,” JSTOR itself, declined to prosecute Swartz, and publicly disavowed the Dept. of Justice’s case. Alex Stamos, an expert witness in the case, has written an excellent summary here:

http://unhandled.com/2013/01/12/the-truth-about-aaron-swartzs-crime/

In the wake of Swartz’s death, there has been an enormous upsurge in support for Open Access among academics online and elsewhere; those interested in following the discussion on Twitter can do so via the hashtag #pdftribute. In that spirit, I would like to remind you of the existence of two important resources for those interested in pursuing Open Access for scholarly publications.

1) Scholarship@Western is our own Open Access online repository for academic publication. Run by Western Libraries, Scholarship@Western “aims to facilitate knowledge sharing and broaden the international recognition of Western’s academic excellence by providing open access to Western’s intellectual output and professional achievements. It also serves as a platform to support Western’s scholarly communication needs and provides an avenue for the compliance of research funding agencies’ open access policies.” Any faculty member or student can deposit eligible research publications, and create a profile, in Scholarship@Western.

2) Most journals and academic publishers have in place policies regarding the Open Access online archiving of research materials. In some cases, these are quite liberal, and permit, for instance, the immediate archiving of PDF copies of pre- or post-print copies of an article, or archiving 12 months after initial print publication.  SHERPA/ROMEO is a database that makes available information on the Open Access and archiving policies of an enormous number of scholarly journals, and makes it possible to determine easily the policies of a particular journal within which you may have published.

If you have not already, I hope that you will give some thought to supporting Open Access publication, and raising, in the process, Western’s international research profile, through the use of Scholarship@Western.

Cheers,

Mark McDayter

Things I Didn’t Know that I Didn’t Know about Student Blogging

[Note: This post is a reblog of my post on the Research Group for Electronic Textuality and Theory blog.]

On 2 October, 2012, I had the enjoyable experience of leading a discussion on the subject of student blogging as part of a workshop run under the auspices of the Research Group for Electronic Textuality and Theory; my colleague from the Department of Philosophy, Samantha Brennan, led a parallel discussion on the subject of research blogging, upon which subject she has recently contributed a post. The workshop concluded with a walk-through and practicum on setting up a WordPress blog. The workshop as a whole was stimulating, instructive, and, really, just a great deal of fun. And I learned much myself from comments and questions contributed by participants.

What follows is a somewhat expanded version of that portion of the workshop devoted to instructional blogging.

Some Context

I decided that the most useful and efficient way to talk about student blogging was to focus at first upon the blogging assignment I have constructed for and assigned to a first-year English literature course that I teach, Eng1020E “Understanding Literature Today.” I have, in the past, attempted to integrate new teaching technology of various sorts into the course in order to make it more it more engaging; I have, for instance, used a Facebook group in conjunction with the course since I first began teaching it 5 years ago.  This year, however, I decided that I wanted to develop a better-focused and coherent approach to my pedagogy for the course, which I would facilitate through a more coordinated use of technology. My theme, I decided, was to be “social reading.”

“Social reading” has become something of a buzz term in some quarters.  (For some possible approaches to this term, see Bob Stein’s A Taxonomy of Social Reading: a proposal, developed for the “Institute for the Future of the Book.”)  It is generally treated as a pedagogical methodology, and associated with things like “peer instruction,” the theory that students learn best when they are actively collaborating together in the learning process, effectively teaching each other rather than merely passively absorbing information.

Samuel Richardson Reading

Samuel Richardson Reading. Image courtesy of themorgan.org

For me, though, “social reading” has a more historically-contingent resonance. After all, reading has historically had a “social” dimension that was somewhat lost in a post-Romantic view of textuality, and that, arguably, online textuality is now in the process of reviving. Social reading, in my view, is therefore not merely a pedagogical strategy for absorbing what has been read, but a window into a different kind of reading that transforms content, making texts multivoiced and multivalent in ways that are simply inaccessible through other more solitary forms of textual engagement.

There are a number of approaches that I have adopted to encourage this idea of social reading in ENG1020E; some of these, and a more detailed account of what I am trying to do in the course, I may discuss in a future blog post.  In the meantime, it is sufficient to note that student blogging is one of the more important elements of my overall strategy. The essential idea is this: students will write about their texts on public online blogs that were “linked” to each other through subscriptions and blogrolls. They would focus upon their more personal responses to these texts, and would be able to follow what their fellow students thought and said about these same texts in a way that would, hopefully, enlarge their thinking and perspective upon them. These networked blogs would, in this way, come to constitute another kind of online conversation about literature.

I have myself blogged for a number of years, and have read a fair amount about student blogging assignments. I have never before, however, attempted to integrate blogging in any way into my own teaching, so I did devote a substantial amount of time and thought  to the particular methodology I should adopt. The result was a brief but, I thought, adequately descriptive rubric for my students:

This assignment requires each student to create and maintain a “commonplace” blog (probably on WordPress, a free and open blogging site available online). Students will use this blog as a kind of “commonplace book,” a place to record particularly interesting, worthwhile, or important information gleaned from readings, lecture, and tutorial, as well as a few salient lines, phrases, or passages that you think might be useful to remember.

Students are expected to produce one blog entry every two weeks of the course, beginning the week of September 24 – September 28. For practical purposes, you will be writing at least 11 blog entries. You may, of course, write more if you wish. Each entry should be a minimum of 100 words, excluding quotes from texts. The blog posts need not be written in an “academic” style — blog writing is generally fairly informal — but they should at least be grammatically correct, and they should relate to a text we have recently read and discussed.

There are two main functions to these blogs:

1) To help the student identify salient, interesting, or important information discussed in the course.

2) To provide a handy “study guide” for the first term test and final exam.

In addition, students will be encouraged — and would be well advised — to “follow” the blogs of other students in your tutorial section, and even comment on them. You can learn a great deal from this kind of online “discussion.” Note, however, that the usual sanctions against plagiarism count: do not merely copy the blogs of others, although you may link to them..

On occasion, I will be visiting your blogs and commenting on them where useful.

I thought this sufficiently clear, detailed, and prescriptive.

1020E Blog Screen ShotOops.  Well, I was wrong. Shortly after sending out this rubric, I had a brief but informative discussion with Dr. Elan Paulson, who in her capacity as Digital Communications Specialist at the Faculty of Education here at Western knows a great deal about educational blogging, and has herself used blogs in courses before. Dr. Paulson’s comments made me all too aware of my failure to think through all of the implications of the assignment; her questions caught me frankly off-guard (although they shouldn’t have).  How, she asked, will these “commonplace blogs” differ from conventional class journals? How have you addressed the “public” nature of blogging? Will students be instructed in the value and importance of “tagging” posts, or blogrolls? What criteria will be used to evaluate these?

My attempts to formulate coherent responses to these questions coincided with an unexpected call to talk about instructional blogging in a workshop that I had organized for faculty and graduate students in the Faculty of Arts and Humanities at Western. Suddenly, I had two compelling reasons to think, and write, a bit more cogently and comprehensively on the subject of student blogging.

What appears below, then, is my attempt to do just this. In addition to a more elaborate version of the slide presentation that I gave on student blogs, it includes the “criteria sheet” for the blogging assignment that I eventually produced for my students and teaching assistants: this last appears at the bottom of the post.

So, an important caveat: what follows here is not the advice of a seasoned veteran of instructional blogging. On the contrary, it represents the first stumbling attempts of a n00b in the field to systematize his thinking on that subject. It has been informed by some reasonably wide reading, some very helpful conversations, and a good deal of thought, but it has yet to face the trial by fire of actual classroom use. Treat it, accordingly, with some caution. In addition, those interested in this subject should check out Instructional Blogging: Links and Resources, a list of online and print discussions that I assembled in advance of the workshop a few weeks ago; to an important degree, that list can be treated as a supplement to the list of references here, as the resources and articles given there have greatly informed my understanding of this subject.

Some Questions

A good place to start is, perhaps, by asking oneself some basic questions about the intended function of the blogging exercise and the desired learning outcomes.

What is the function of the blogs?

This is obviously pretty fundamental. The first part of the answer should focus upon the ways in which blogs will enable learning. How will this exercise “teach” your students, and what will it teach them? The second half of the question should relate to the choice of medium.  Presumably, you are using blogs, rather than (for instance) course journals for a particular reason. What is it that blogs have to offer that other media, traditional or not, do not? Do those learning outcomes rely upon the kinds of features that blogs offer, or are they enhanced by them? A number of things attracted me to the idea of student blogging. Blogs provide students with their own secure textual “space” within which to express themselves, while simultaneously allowing others to comment and contribute. The exercise would also help train students to write in a more self-aware way for public online consumption, a skill that, in my capacity as a digital humanist, I also thought well worth their time to cultivate.

How do they relate to other course content?

This question relates most obviously, perhaps, to the issue of content. What will students be writing here, and how does it relate to what you are teaching? Will this be a place to focus on texts? Upon secondary source readings? Upon lecture or tutorial material? Upon their own responses to course content? Given that blogs have developed as a form well suited for “thinking out loud” (remember the etymology of the term “blog” comes from “web log”), they are probably not ideal as a place to keep lecture notes, but are rather better suited for the kind of intellectual explorations of texts and ideas that characterized the older notion of the informal personal “essay” as practised by Montaigne, Bacon, and others.

How will they be evaluated?

The issue of form is again important: to what degree is your evaluation going to focus upon the blog as a medium? In other words, is part of the mark for their blogs going to be based upon an evaluation of the degree to which the student has mastered blog-writing as a discrete genre, just as part of the grade (and usually a substantial part, at that) for an essay is likely to derive from a demonstrated competence in essay writing?

The exact criteria that you choose will, of course, depend greatly upon your answer to other questions here, as for example the relation to course content and the function of the blogs. What is particularly important, however, is that these criteria be reasonably clear to the students. Remember that while they will likely have written formal essays for grading before, and so will already have some sense of the types of criteria used to evaluate these, there is a good chance that they’ve never been evaluated for blog writing. Their sense of what constitutes a “good” blog post will be accordingly much fuzzier.

Are they public?

Blogging is almost by definition a public exercise, but most blogging apps (including WordPress) permit blog content to be kept hidden from the general public. The choice of “public” or “private” will depend, again, to a great degree upon what one sees as the function of the blog. Remember, too, that the content, tone, and style of the blog post may — indeed, should — vary according to the degree to which it is public. Writing for one’s peers, instructor, or teaching assistants is not the same thing as writing for a more general and diverse audience.

Are they networked?

To what degree are these blogs to be written by each student in isolation of the others? Or will you have them use the blogging tools available — reblogging, blogrolls, and “follow” buttons — so that they are writing within and for a larger community of their colleagues? Making a blog public does not, in and of itself, ensure that students are accessing, and gaining the benefit of, each other’s blogs. Of course, you may not want them to do this — but if not, then perhaps it is worth asking, again, whether blogging is really a worthwhile exercise in the first place.

How will feedback and comments be handled?

Are you planning to interact directly and publicly with the student blogs? If so, what sort of “voice” will you use, and how will you handle critical comments and suggestions? Will you “correct” a student when she or he gets something wrong? Receiving public criticism on a blog can be traumatic enough; it is doubly so when it is coming from your instructor or teaching assistant. There are also, of course, issues of “confidentiality,” as the blog will presumably be a graded assignment: how can you provide feedback and commentary in such a way as not to breach confidentiality?

How one answers these questions will, of course, go a long way to determining the sorts of blogs that your students produce, as well as your own evaluation of them. There are, however, additional aspects of blogs in general that need to be considered before finalizing a student blogging assignment.

Some Considerations

Many of these factors for consideration will relate in obvious ways to some of the questions I’ve asked above. I am certain that there are others I have not thought of or included here; doubtless some of these will occur to me as the year, and the students’ actual work at blogging, unfolds.

  • Take advantage of the online venue: if the blog makes use of none of the features that the online medium makes available, such as enabled comments, hyperlinks, or “follow” features, then there is perhaps little point in using it instead of, say, e-mail.
  • Bear in mind that blogs are not essays, and should likely be written in a very different (and probably more personal) voice.
  • Citation is (usually) handled differently on blogs, often just with links to online versions of the source. Actually, however, there is nothing really to prevent one from using MLA, Chicago, or APA citation style in a blog piece, and some blog writers (including myself) do so. If the blog posts are intended to be more essay-like, then employing conventional citation probably makes sense.
  • Blogs can employ “tags” to increase online visibility; if one of the points of the exercise is to not merely produce a blog, but actually to teach about blogging, then guiding students in the use of metadata such as tags is important.
  • Blogrolls and subscriptions can turn isolated blogs into networks. Again, an important function of the online medium is to turn a one-to-one conversation (between, say, student and instructor) into a multi-voiced online discussion. Having your students use blogrolls and install “Follow” widgets (which enable e-mail subscriptions to a blog) effectively “networks” the blogs in a way that permits students to learn from each other in an asynchronous manner that will not be unfamiliar to them from Facebook and other forms of social media.
  • Blogs are most usually and naturally a form of “public writing.” There are hazards to asking students to publish their thoughts online; perhaps the most important of these is that it exposes them to trolls and flaming. On the other hand, almost all students are producing writing that is more-or-less public already — on Facebook, Tumblr, or Twitter. Using a blogging exercise to talk about the differences between public discourse and private communication is probably a pretty useful thing.
  • IP and Reproduction Rights are generally not handled well in most social media, including blogs. This is perhaps a good opportunity to talk about what these things are, and why it may not be a great idea to simply paste that cool image from someone’s web page into your own blog without permission or acknowledgement.
  • Troll: All Your Students Are Belong to UsFlaming and Trolling are endemic online, and there is some chance, particularly if students are writing about a controversial or contentious issue, that their posts will show up in someone’s Google search, and they will find themselves the target of a bit of online nastiness. Students can, of course, be insulated from this possibility by changing blog privacy settings — but it can be argued that it is far more valuable to instruct them instead on how to deal with this not uncommon pitfall of online writing should it arise. Students are, as I’ve noted, already living online; they are already vulnerable to various forms of cyberbullying. Learning to deal with it is an important component of learning how to communicate online.

Some Criteria

Here, then, is the actual set of criteria that I sent out to the students and teaching assistants of Eng1020E, Section 002. My formulation of this document owes a great deal to a number of examples already existing online, which are available on the “Instructional Blogging” resource list, and below in “References.”

English 1020E – Section 002

Criteria for the Evaluation of Student Blogs

The criteria by which your blogs will be evaluated fall into three categories: Primary Criteria, Secondary Criteria, and Optional “Extras.” The latter category consists of features that are not absolutely required, but that will gain you some extra credit if included.

The grade percentages associated with each of these criteria are guidelines only, and represent the relative “weight” of each category that we’ll be using when evaluating your blogs. In an instance in which, for example, the “content” of the blog posts is exceptional, we may feel justified in boosting the mark for that above the 40% allowed for below.

Primary Criteria 

  • Content (40%) – “Content” in this context means the degree to which your posts focus upon one of our class texts, and the “quality” of your insights and thoughts about those texts. Remember that the point of the blog is not to regurgitate material from lectures and tutorials (although you may of course refer to these), but rather to add your own thoughts and impressions about these poems, novels, plays, and essays. A high quality post will engage with a text both critically (that is to say, will feature some original insights that come from a considered reading of it) and personally. You needn’t be afraid of being “wrong” in any of your discussions, but your impressions and ideas should be backed up with at least some “evidence” from the text. As well, your posts should be to some degree “original,” a requirement that is implied by the fact that they are also “personal” responses. Merely parroting the remarks or thoughts of other students will result in a loss of marks.
  • Style (30%) – Blogs are not, and should not, be written in the formal style of an academic paper or essay. Use a personal voice – the first person pronoun is not merely permitted, but encouraged – and make your writing casual, entertaining, and engaging. Your diction (word choice) can be more colloquial than would generally be permitted in an essay as well, but try to avoid a language that stoops too low: avoid vulgarity and “text-speak.”

Secondary Criteria 

  • Grammar and Spelling (10%) – As noted above, a blog is not a formal essay. That said, you are still writing to be understood, and for an audience (even if it is only your TA and instructor), and your writing should therefore be grammatically correct. Occasional liberties (for instance, the occasional sentence fragment for dramatic or rhetorical effect) are permissible, but posts littered with grammatical errors and spelling mistakes will be penalized.
  • Timeliness and Length (10%) – The rubric for the blogging assignment specifies that you are expected to write “one blog entry every two weeks of the course, beginning the week of September 24 – September 28.” It also requires that each entry be a minimum of 100 words, excluding quotes from texts. There will be some flexibility on the first requirement: we won’t be counting down to midnight on the last night of each two-week period to check that you have produced a blog post within that interval. But you are expected to “keep up,” and should post your bi-weekly entries no more than a day or two late. Do not wait until the end of the term or the course to post a backlog of entries: this would defeat one of the main points of the exercise, and will result in the deduction of marks.
  • Quotation of Primary Sources (5%) – One of the original functions of manuscript “commonplace books” was to store pithy quotes for future reference and use. In addition to quoting from the text where appropriate to back up any of your ideas and impressions, it’s a good idea to record particularly “important” sentences, phrases, or lines. You’ll find this very handy when studying for the first term test and final exam. You needn’t (and indeed shouldn’t) go overboard here: don’t cite giant blocks of text. But your posts should include a judicious sampling of brief important “bits.”
  • Citation (5%) – Most blogs “cite” sources by linking to them, if they are online, and otherwise provide no more than an author, title, and perhaps date integrated into the discussion itself. This approach is acceptable, but you can also, if you wish, provide more formal citations at the end of each post. Do be sure, however, to provide some citation for ideas and quotes taken from elsewhere, especially if they are from a fellow student.

Optional “Extras” 

  • Comments – You can earn some extra credit (up to 5%) by commenting on the blogs of other students within your tutorial group. These needn’t be lengthy or elaborate, but should be more than a wave: try to say something substantive about the post upon which you are commenting. And, of course, please be civil and respectful of the opinions and writing of others.
  • Multimedia, Images, and Links – You can additionally earn some additional credit (up to 5%) by integrating into your blog post some images, multimedia, and links. These must, of course, be relevant in some way to your post, although can certainly also be “humorous” or draw connections to popular culture (e.g., music videos and even the occasional pertinent “lolcat”). YouTube videos are usually viewed as being in the public domain, and so can be used without worry, but make sure that the images and other materials you use are also “public.” The easiest place to find images that are in the public domain is Wikimedia Commons; some electronic databases and sources also specify that you can use images so long as the original source is acknowledged and cited.

Some Conclusions

Actually, I don’t have any of these yet. My class is only now entering their third week of this assignment: most of the students have as yet produced only a single post. So far, I’m pretty pleased with these. Students have been using this opportunity to register their personal responses to texts, while also supporting these with at least some textual evidence.

The thing that has impressed me most, however, in these early stages of the assignments is how much more than the prescribed 100 words per post students have been writing. This is actually an unlooked-for benefit of the blogs: while the word count for the blogging assignment is included in the overall written requirement for the course, it had not occurred to me that students would actually write more — and in many cases, substantially more — than was required of them. If one of the points of humanities courses in general, and English courses in particular, is to give students practical experience in writing, then student blogging would seem, at least at this early showing, to be a powerful tool.

—————————

References

Brennan, Samantha. “Research Blogging: Notes from Our Workshop.” Electronic Textuality and Theory at Western. The Research Group for Electronic Textuality and Theory. 7 October, 2012. Accessed 12 October, 2012. <http://rgettatwestern.wordpress.com/2012/10/07/research-blogging-notes-from-our-workshop/>

Sample, Mark. “A Rubric for Evaluating Student Blogs.” ProfHacker. The Chronicle of Higher Education 27 September, 2010. Accessed 22 September, 2012. <http://chronicle.com/blogs/profhacker/a-rubric-for-evaluating-student-blogs/27196>

Stein, Bob. A Taxonomy of Social Reading: A Proposal. The Institute for the Future of the Book. N.d.  Accessed 12 October, 2012. <http://futureofthebook.org/social-reading/>

University College, Falmouth. “Blogging Project Checklist for Academics.” Scribd. n.d. Accessed 22 September, 2012. <http://www.scribd.com/doc/97815658/Template-Student-Blogging-Checklist-Pedagogic-Preparations>

University of Wisconsin, Stout. “A Rubric for Evaluating Student Blogs.” A+ Rubric. University of Wisconsin, Stout. 17 January, 2012. Accessed 22 September, 2012. <http://www2.uwstout.edu/content/profdev/rubrics/blogrubric.html>

Williams, George H. “Blogging Assignment.” English 289: Introduction to British Literature. Beginnings to 1800. University of South Carolina Upstate. N.d. Accessed 8 October, 2012. <http://upstateenglish.org/289/assignments/blogging-assignment/>

New and Noted: “Digital Humanities: A Resource List.”

McDayter, Mark, comp.  The Digital Humanities: A Resource List.  Research Group for Electronic Textuality and Theory, Western University. 3 May, 2012. Web.<http://ett.arts.uwo.ca/site/dhResources.html>

The Digital Humanities is a huge and sprawling field.  It encompasses within its “big tent” a diverse range of disciplines, subdisciplines, theories, and practices, ranging from text encoding to text mining and employing technology for pedagogy.

It has also spawned an enormous variety of tools, manuals, guides, theoretical discussions, discussion groups, organizations, and open access journals.

A little more than a month ago, I published, on the web site for the Research Group for Electronic Textuality and Theory in the Faculty of Arts and Humanities at Western University, a resource list of online materials to assist those finding their way through the maze of approaches and tools in the Digital Humanities.  “Digital Humanities:  A Resource List” was also compiled for my own sake, in an attempt to get some kind of handle on what was available.  Here is part of my “Introduction” to the resource:

This web site has been designed to provide a quick and simple reference source for information about, and resources for, the theory and practice of Digital Humanities. While it has been assembled for the particular use of scholars and students working in the Digital Humanities at Western University, it is open to anyone, and (it is hoped) will prove a particularly useful resource for those new to the field.

This resource list is avowedly neither comprehensive nor complete. The focus is upon free and open access tools and sources of information that can be of immediate assistance to those who wish to begin to engage with technology directly. Doubtless I have overlooked a great deal that is of value, and I will be updating these pages periodically with new materials as I become aware of them; a list of recent additions is to be found immediately below. All of the resources listed here are, for the moment, available online (although some exist in print as well); future iterations of this list may additionally include conventional print sources, as well as exemplary projects in the Digital Humanities. Additional areas that I will be adding in the future include digital archives, linguistics, and virtual worlds.

It has occurred to me that I have, rather oddly, neglected to make note of this resource here.  I am now making good that omission.

The site continues to expand on a nearly daily basis: I have added 52 entries since it was first published, and it now includes 171 entries in total (although a handful of these are repeated in multiple sections of the site).  They are distributed according to the following categories:

  • Introduction
  • Digital Humanities – General -19 entries
  • DH & Literary Studies – 31 entries
  • DH & History – 10 entries
  • Pedagogy & Technology – 31 entries
  • Digital Tools – 41 entries
  • Text Encoding Initiative – 19 entries
  • Content Management Systems – 4 entries
  • Learning Management Systems – 4 entries
  • Discussion Groups – 3 entries
  • Organizations – 9 entries

All entries include links to the resource in question, as well as a pop-up panel providing a more-or-less detailed description of the resource, most often lifted from the web pages of the resource itself.

I hope this proves useful to others.  It has already proven a useful exercise for myself.

New and Noted: “Collaborative Research in the Digital Humanities” (Ashgate)

Marilyn Deegan and Willard McCarty, eds. Collaborative Research in the Digital Humanities, Farnham: Ashgate, 2012.

This is a new collection of essays on a subject that is, really, central to the way Digital Humanities has evolved, and perhaps a necessary adjunct of its methodologies:  collaborative work and research.  The volume is edited by two stalwarts in the field, Willard McCarty and Marilyn Deegan, and contains essays by a great many familiar names.  It prompts two reflections on my part.

  1. I wish I were better at working collaboratively than I am.  (My reluctance stems less from a personal or professional dislike of collaboration than it does from laziness.)
  2. I wish scholarly books weren’t so hideously expensive.

This looks like a future “must read,” however. I am personally particularly looking forward to reading the pieces by Roueché, by Kathryn Sutherland and Elena Pierazzo, and by the HCI-Book Consultative Group and the INKE Research Team.

Here is the description as given on Ashgate’s page for the new volume:

Collaboration within digital humanities is both a pertinent and a pressing topic as the traditional mode of the humanist, working alone in his or her study, is supplemented by explicitly co-operative, interdependent and collaborative research. This is particularly true where computational methods are employed in large-scale digital humanities projects. This book, which celebrates the contributions of Harold Short to this field, presents fourteen essays by leading authors in the digital humanities. It addresses several issues of collaboration, from the multiple perspectives of institutions, projects and individual researchers.

And here is a breakdown of its contents:

  • Marilyn Deegan and Willard McCarty, “Foreword”
  • Willard McCarty, “Collaborative research in the digital humanities”
  • John Bradley, “No job for techies: technical contributions to research in the digital humanities”
  • Hugh Craig and John Burrows, “A collaboration about a collaboration: the authorship of King Henry VI, Part 3”
  • Julia Flanders, “Collaboration and dissent: challenges of collaborative standards for digital humanities”
  • Susan Hockey, “Digital humanities in the age of the internet: reaching out to other communities”
  • Laszlo Hunyadi, “Collaboration in virtual space in digital humanities”
  • Jan-Christoph Meister, “Crowd sourcing ‘true meaning’: a collaborative markup approach to textual interpretation”
  • Janet L. Nelson, “From building site to building: the prosopography of Anglo-Saxon England (PASE) project”
  • Geoffrey Rockwell, “Crowdsourcing the humanities: social research and collaboration”
  • Charlotte Roueché, “Why do we mark up texts?”
  • Ray Siemens, Teresa Dobson, Stan Ruecker, Richard Cunningham, Alan Galey, Claire Warwick, and Lynne Siemens, with Michael Best, Melanie Chernyk, Wendy Duff, Julia Flanders, David Gants, Bertrand Gervais, Karon MacLean, Steve Ramsay, Geoffrey Rockwell, Susan Schreibman, Colin Swindells, Christian Vandendorpe, Lynn Copeland, John Willinsky, Vika Zafrin, the HCI-Book Consultative Group and the INKE Research Team, “Human-computer interface/interaction and the book: a consultation-derived perspective on foundational e-book research”
  • Kathryn Sutherland and Elena Pierazzo, “The author’s hand: from page to screen”
  • Melissa Terras, “Being the other: interdisciplinary work in computational science and the humanities”
  • John Unsworth and Charlotte Tupman, “Interview with John Unsworth, April 2011”

The Great Lakes THAT Camp! What to Do, What to Do?

Great Lakes THATCamp 2012

Online registration for this year’s Great Lakes THATCamp (The Humanities and Technology Camp) at Western University (as we now apparently call ourselves) is open!

This is really exciting news, and not least of all for me.  Years and years ago, I did a “Summer Institute” course at the University of New Brunswick Fredricton on electronic texts – it was where I first cut my teeth on XML and TEI – but I have never attended a THATCamp before.  For that reason, I’m honestly not sure what to expect.  I do, however, love the premise of this kind of “unconference,” and the kind of dialogue and intellectual exchange that it is designed to encourage.

I am slated to lead a workshop on “Hypertext and Digital Archives,” which will be very cool.  I need to think of ways of making this both useful in a practical “hands-on” sense, but also flexible enough that participants are able to determine the direction that we take.  Ideas as to the best way(s) of going about that are more than welcome!

Seriously.  How does one go about this?

Apple iBooks Author vs. ePub3: What If We Let the Tail Wag the Dog Just This Once?

John Gruber has an interesting new post on Daring Fireball in which responds to criticism of Apple’s new iBooks Author file format by Daniel Glazman, Co-chairman of the W3C CSS Working Group.  Glazman dislikes the fact that Apple has extended the CSS for that format beyond the standards set by ePub3:  “All in all, Apple has worked entirely behind the curtains here. If someone tells you that iBooks format is EPUB3, don’t believe it. It’s not EPUB3, it’s only based on EPUB3.”

The result — and I’ll take his word for this, as I don’t myself have access to the iBooks Author tool — is that “[b]ecause of these extensions, editing or browsing the html documents with a regular wysiwyg editor (BlueGriffon or DreamWeaver for instance) or a browser (Firefox, Chrome or even Safari) shows a total mess on screen. It’s not readable, it’s not usable, it’s not editable. Just forget it, Apple (re-)invented the Web totally incompatible with the Web.”

Glazman enumerates the nature of the particular extensions to CSS (and hence to ePub3):

  1. Template-based layout including special areas (gutter)
  2. Extended underlining
  3. Ability to control the size of each column and column gap in a multi-column layout
  4. something equivalent to Adobe’s Regions and Exclusions.

Now, again, I don’t have iBook Author, so I can’t speak with much assurance about what these extensions “mean,” except to say that they sound like rather good things.

Gruber’s response to Glazman is pretty unsympathetic, but both logical and reasonable.  Glazman feels that Apple should have proposed these extensions to the W3C CSS Working Group before implementing them — an unsurprising opinion coming from Co-chairman of that committee.  Gruber responds that

. . . if Apple had taken this route, the books generated by iBooks Authortoday wouldn’t have any of the layout features Glazman cited above. The iBooks format isn’t different just for the sake of being different, it’s different for the sake of being better — not better in the future, after a W3C review period and approval, but better today, in the textbooks you can download and read in iBooks right now.

Now, I’m a strong believer in open standards, and in standards compliance.  And I don’t particularly like, even if I understand, the thinking behind changes to standards that make a particular format proprietary rather than open.

That said . . . Apple has apparently produced a beautiful product here that employs format features that are better than could be produced through rigid compliance with ePub standards.

So what would happen if, instead of merely complaining about Apple getting the jump on standards-compliant eBook publishers or undercutting the attempt to produce such standards, the co-chair of the W3C CSS Working Group had additionally said something like:  “But wow.  They shouldn’t have done it this way, but we’re glad they did, because now we can see that these are extensions that should be added to the ePub specifications!  We can all benefit from Apple’s decision to innovate and push the envelope here!”

Even better — what if those creating the open standards for things like ePub3 were to take the same kind of imaginative approach, and had the same kind of concern for the overall excellence of interface design, that Apple’s designers and engineers apparently have?  What if the w3C CSS Working Group were itself producing these kinds of forward-looking innovations, and in so doing making it more attractive to be standards-compliant?

Wouldn’t that be cool?

The 10 Reasons Why I Will Not Be Creating Textbooks with Apple’s iBook Author

I’m going to admit that I am as intrigued as anyone about the new iBook Author app announced by Apple today.  It sounds as though it is an enormously powerful tool with which to build exciting and dynamic textbook content.  Apple being Apple, I expect that it will be beautifully designed, intuitive, and fun to use.  I look forward to playing with it — in one of my university’s computer labs.

Kathleen Fitzpatrick’s remarks in The Chronicle of Higher Education, “Reflections on the Apple Education Event,” seem to  me reasonable, carefully considered, and thoughtful.  I particularly liked her point about the lack of interconnectivity between users (i.e., students) built into the iTextbook format.

I’d like now to  explain why I won’t be rushing to use this tool myself to create new textbooks, despite the fact that it will assuredly do a fine job of just that, and will likely produce a much “better” product in some regards than I am capable of creating on my own.

1. Because, while I do have an iPad, I don’t own a Mac desktop, and have no intention of buying one just to run this app on it.

2. Because I have no desire to become an unpaid marketer for Apple Inc.  Nor will I effectively require that my students shell out hundreds of dollars, not merely for a tablet computer, but for a particular make of tablet.

3. Because Apple has been known to censor, rather unapologetically, apps containing content that it deems “inappropriate.” I teach, at both grad and undergrad levels, a course in 17th-century libertine literature that contains much material that is jaw-droppingly obscene. I don’t want Apple telling me, in effect, that I shouldn’t be teaching such things. And, in general, I just plain don’t like censorship.

4. Because I agreed with Stephen Ramsay when he tweeted that “We are so deeply and sincerely screwed if we allow an American mega-corporation to ‘help us reinvent the curriculum.'”

5. Because the new format for these iTextbooks does not support the ePub 3 open standard, and so is not only restricted to a proprietary platform, but is actively working to undermine open standards for digital texts.

6. Because I am already paid (by my university) to research and publish, and don’t want to commercialize what I produce more than is absolutely necessary.

7. Because I don’t want to become a chesspiece in Apple’s game of imperial domination. While I have no particular sentimental attachment to the current publishers of textbooks (and in some case, quite the opposite), I have no interest whatsoever in serving as a weapon in the late Steve Job’s proposed campaign to “digitally destroy” the textbook industry.

8. Because I want what I produce to be freely available to anyone, and usable on as wide a variety of platforms as possible, and not just on an iPad.

9. Because I dislike closed-source tools, and want to know what’s under the hood of such tools as I do use, and also what may be getting quietly embedded within such content as I produce by means of said tools.

10. Because, while I am quite happy to use tools to make the process of creation easier, I also enjoy coding and designing resources myself, and don’t necessarily want to have it all done for me.